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K. D. McAdams

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Archives for February 2018

A grab bag of updates and it’s school vacation week

February 26, 2018 By K. D. McAdams

It’s school vacation week here in New Hampshire so the kids are home, all day long. I have a grab bag of updates, so read through for all the news.

I have a note in my planner that reminded me to get ahead in my word count because productivity would be low this week. When I wrote that I can remember thinking I was pretty smart. Now I’m remembering that I’m pretty much a moron. The note should have shown up weeks ago so I could actually get ahead.

But there is some good news, I finished the first draft of They Awake! To satisfy my habitual side, here is the structured update:

Book 1 – They Awake
Target release date – New date! 7/6/2018 
Last weeks word count/target – 6,664/6,500
This weeks word count target – 5,000 words of short stories
Total words/projected – 95,327/95,000

I love this story and these characters. There are a lot of details to iron out as I go through the re-write, but I’m looking forward to spending more time in this world.

My plan is to take a week off from the story. I’ll be writing some more short stories in the Off Earth world this week. Then I’ll jump into some hardcore revisions next week.

If you have any interest in beta-reading please let me know, I’d love to get you an early copy when it’s ready.

In other news, Revelation – Book 6 of The Seamus Chronicles is available this Friday, March 2. This book wraps up The Seamus Chronicles series and while I’m sad to see the end of it, I think I wrapped things up pretty well. There is one minor story line I left dangling, but I don’t want to say what it is or why. At least not yet.

Revelation – Book 6 of The Seamus Chronicles

On top of all that, I finished the paper back version of American Lease, the first book in my Dylan Cold thriller series. I should have my first order delivered in the next few days. There were a few proof copies, but I can’t wait to get the final version in my hands. If you’re a thriller reader and looking for something new, please check it out (the paperback will be linked to the ebook soon).

As a reminder, the release after Revelation will be Deceptive Practices, a new Dylan Cold novel. It’s scheduled for April 13th and it’s another exciting challenge for Dylan, Abbey, and the whole town of Brookford.

 

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Filed Under: For Readers Tagged With: finished first draft, new release, Off Earth Series

A piano in space

February 23, 2018 By K. D. McAdams

Photo by Ryan Holloway on Unsplash

“Seriously Tanner?” Maddison asked from the door.

“What?” Tanner turned to see the frown on her face.

A piano in space made little sense. It had to be a remnant from the early days of cheap launch solutions. As humans transitioned away from liquid rocket boosters and high dollar per pound launch platforms engineers routinely sent awkward objects into orbit. Just to prove they could.

This was before the first space tourist tragedy and long before the event that started the First Orbital War. The engineers must have assumed that a hunk of wood, some thin wired and 88 plastic keys would orbit a few times and then burn up in the atmosphere.

It would have, if the cargo container functioned properly.

Malfunctions, mistakes and miscalculations were now the foundation of Off Earth Salvage. Most of the debris created during the first orbital war was now collected and processed. The bigger pieces were stored on the moon at the Off Earth Maintenance and Repair headquarters. Smaller pieces were still here on Lagrange-4 but a piano didn’t belong anywhere.

“Tell me you’re going to turn that into a wardrobe or a wet bar.” Maddison stepped further into his room.

“No. I’m going to restore it and learn to play.” Tanner answered factually.

[Read more…] about A piano in space

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Filed Under: For Readers, Off Earth, Short Stories Tagged With: Lagrange-4, Maddison Holtz, Salvage, Tanner Nasca

What to do when you’re behind schedule

February 21, 2018 By K. D. McAdams

Schedules and deadlines are tough when you’re self-managed. You set them yourself and your success is a direct result of your action. So what do you do if you make a promise to readers and then miss a deadline?

Photo by rawpixel.com on Unsplash

I’m just wrapping up step 8 from my 15 step plan for writing a successful series – write your face off. I’ve written 91,000+ words in six weeks, but I’m actually behind schedule. It was my plan to write 95,000 words in four weeks and then take two weeks to revise before sending out to beta readers.

Fortunately I was also sticking with Step 9 of the 15 step plan, Share your progress. When I started writing the series I told my readers about it, gave them the word count targets and estimated release date. Then every Monday I shared an update on the progress and how things were looking for hitting my release date. I didn’t fall behind until week four, when I had my wisdom teeth removed, but I told them the truth and kept updating.

Part of me just wanted to stop doing updates and see if I could catch up and make things work. But that’s a false hope. I knew I wasn’t going to be able to release by the date I set out, unless I sacrificed quality.

So I kept updating my readers, consistently. When I was about ready to make the call and move the date out I told them it was likely and committed to an answer the following week. This Monday was the day I needed to make my decision, and I did.

The release date for They Awake, Book 1 of my new series moved from April 13, 2018 to July 6, 2018. I’m frustrated with myself for missing my deadlines but I think that staying in touch with the readers throughout the process helps them to see a little behind the scenes and keeps them invested in the story.

I’ve also been sharing my shorts, Step 11. I’m going to bundle these up, have them edited and then send a collection of them out to my readers. This is a little thank you for their patience, and hopefully it will whet their whistle for when the book is ready.

Being behind schedule and missing deadlines sucks, but owning it is a huge key to moving on. Instead of getting bogged down with the why or what you’re going to do, communicate the truth and get back to work.

 

 

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Filed Under: For Writers, Successful Series Writers

Update on release plans

February 19, 2018 By K. D. McAdams

Last week I mentioned that I was behind on the writing part of They Awake, the first book in my new Off Earth series. I had a solid writing week, but I’ve decided to shift the release date.

I didn’t want to release the book in the summer, as sales are often slow. But this years schedule is setup to support a new release every six weeks and I want to stick with that. They Awake Off Earth Series Book 1 is now scheduled for release on 7/6/2018.

My next new release is coming March 2, when Revelation book 6 of The Seamus Chronicles hits the stores. This is the last of the Seamus Chronicles books and I tried to tie some things up and get the survivors from Earth formally settled. The cover reveal is below.

Coming March 2, 2018!

After Revelation, my next two releases will be Dylan Cold novels, Deceptive Practices on April 13 and Frayed Shorts on May 25. Both books are written and have gone through revisions so I can send them off for final edits any time. I think of the Dylan Cold thrillers as more beach reads than the new Off Earth series, so you’ll have those to enjoy over the summer.

Plus, I wanted to make sure the new series is great. I did a lot of planning and prep work before sitting down to write so getting the words down in four weeks wasn’t outrageous, but I missed. The writing will be done this week, and then I’ll spend about two weeks on rewrites and revisions. After that I’ll send out some beta copies (if you’re interested in being a beta reader drop me a line kd@kd-mcadams.com).

For those following along for the numbers update on the Off Earth Series progress –

Book 1 – They Awake
Target release date – New date! 7/6/2018 
Last weeks word count/target – 12,456/12,000
This weeks word count target – 6,500 words
Total words/projected – 88,695/95,000

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Filed Under: For Readers, Off Earth

Approaching the Lowell

February 16, 2018 By K. D. McAdams

Photo by Samuel Zeller on Unsplash

Approaching the Lowell, Off Earth Manufacturing’s base of operations, was like flying into a puzzle. At the early stages of construction, trying to figure out where the station ended and the ship it was building began required careful inspection.

Maddison Holtz was still fascinated by how such a small thing could build the massive freighters and cruisers they had become known for. She knew that in a few months the ship they were building would dwarf the Lowell Station. Then the trick would be finding the station against the backdrop of a massive space fairing vessel.

Could this become her life? Off Earth Manufacturing was far more profitable than the Salvage operation she worked with now. Everything about the Lowell was nicer than living on the rock stationed at Lagrange-4. But there was something cold about the people and the environment.

Off Earth Salvage and the carved out asteroid they lived and worked in felt like home.

So why was she coming over here to interview for a job?

“Passengers are required to sit. Safety pods will be activated in fifteen seconds.” The artificial intelligence pilot announced over the speakers.

“Why are we activating safety pods?” Maddison asked while she sat.

The training was clear, if there is a need to activate safety pods, sit first and ask questions later. Safety pods were protected structures that sprouted out from the seats in the shuttle. Every ship had a different version but they all worked the same.

If there was a hull breach or any other environmental malfunction the safety pods would protect living cargo for anywhere from a few hours to three months. Technology would allow for humans to physically survive for longer than three months in a safety pod, but the mental effects were not desirable. It didn’t require reading more than one or two accounts of early safety pod survivors to understand the mental toll of being alone, drifting in the void of space.

“We detected an electro-magnetic pulse and models show that navigation will be impacted.” The A.I replied calmly.

“Why don’t you reverse course and avoid the EMP?” Maddison challenged.

She had no idea how old this pilot was or if it had encountered anything like this before. Having a data set of potential failures and evasive actions was great, but even computers needed experience to learn certain nuances.

Working with A.I. Instances every day, Maddison knew that some learned and reacted better than others. Some humans trusted the machines to be flawless, others understood that questioning any type of intelligence actually made it stronger. She had no problem questioning this instance.

“Evasive maneuvering offers less than a ten percent chance of efficacy.” The voice replied.

“What is the projected result of not taking evasive maneuvers?” She was getting a little upset with this one.

“Impact, in three minutes eight seconds.” It answered.

“And the projected result of impact?” Maddison cinched the belt on her seat tighter.

“Hull breach,” the worst case scenario was reported with no emotion.

This was not good. Hull breach was the A.I. equivalent of oh shit.

Working in salvage gave Maddison and all the other people stationed at Lagrange-4 an understanding of the reality of systems. They recovered enough transport ships and leisure cruisers with bodies tightly strapped into seats with safety pods activated.

For years the salvage bots reported bodies found back to the central systems. The central system did not maintain a field for the state of the body – living or dead. Safety pods were considered successful if they were located with a body inside.

A ripple effect from the data meant that testing parameters were skewed. New safety pods were constructed with the goal of keeping a body intact, not alive. Thousands were produced and placed into service.

It took a long time to teach the nuance between finding a body, living and finding a body, dead. Even longer was required to revamp the systems so that deployed safety pods were functioning to preserve life.

Most of that was before her time. But the impact of old ships not updated or updated with a new defect was seen all the time.

The shuttles were some of the oldest ships still operating.

“Hull breach is unacceptable. Take evasive action.” She commanded the machine.

Doing the math should have been easy. Why would the pilot instance not attempt a low likelihood evasive maneuver in favor of a high likelihood hull breach?

Because it wasn’t updated to preserve life.

Maddison had her own oh shit moment.

The safety pod built around her in a blur. A few inches in front of her face a monitor flickered and glowed. It was supposed to come on instantly with pressurization status and an exterior display.

“Computer, it is imperative that you preserve life. Protecting the body is insufficient!” Maddison screamed.

There was no response.

Could the ship even hear her through the protective cocoon?

The belts auto tightened and pulled her back into the seat. Her shoulder was slightly out of position and the alloy strap cut into her painfully. Drawing in a sharp breath to stifle a scream only served to increase her fear. It felt like there was not enough oxygen in the tiny chamber.

Releasing the fist that clenched in response to the pain, Maddison closed her eyes and slowly let the breath out through her nose. Her heart rate slowed and her nerves calmed.

Panic was her bitch and there was no way it would win now.

Nearly everything was out of her control, with the exception of how she responded. Screaming, crying, and flailing all felt like reasonable responses, though unproductive. She had to think of something positive.

“Computer, emergency restart, this safety pod only.” She spoke calmly and clearly.

Restarting the whole ship would cause the pilot to be offline for several minutes. If they were on a path to collide with the Lowell already, removing the pilot would not change that.

Several seconds passed by. Maddison focused on her breathing.

Next time a budget question comes up around safety pods it would not only get approved, but she would lobby to double it.

This was a rational thought but not productive right now. She acknowledged it and returned to focusing on her breath.

The screen lit up brightly and the glow shone through her closed eyes. Her safety pod was back on line. Things were looking up.

“What’s our impact status?” She commanded confidently.

“Impact likelihood greater than ninety percent.” The pilot responded.

“Take evasive maneuvers.” Maddison ordered.

“Evasive maneuvers would generate risk to occupants and have low probability of success.” The computer replied.

The pilot didn’t want her to pass out during a high G-force maneuver. Preferring death to discomfort was a logic flaw of epic proportions.

“Override comfort parameters and take evasive maneuvers.” She kept her voice steady.

Maybe the fact that her pod was back on line was a good sign. If this was her time to have a safety pod experience it was better to be near a major station than out in the debris field or off near an isolated asteroid.

What else could she do?

Collisions happened all the time in orbit. If they didn’t, the salvage company probably wouldn’t be profitable. Still, going from one site to another within the Off Earth Industries family of companies should be safe.

“Computer change destination to the moon.” She rushed her order.

If she could get the ship to try and take her someplace else maybe it would force an evasive maneuver.

“Navigation systems are not responding. Impact with the Lowell is imminent.” The voice replied no differently than it had when announcing take off and recommending that she sit back and enjoy the ride.

Her stomach rose quickly into her throat and the straps of her seat pressed against the top of her shoulders. Maddison braced for a forward push that as bound to accompany impact.

The ship continued to drop. Blood moved into her brain and her toes became cold. Her eyelids were heavy and even though the screen in front of her was glowing grey, darkness filled her vision.

Maddison woke to a wretched smell and a feeling of water in her lap. Blinking her eyes open she could see bits of her breakfast floating in the air. Her suit was stained and damp but her body was in one piece.

“Where are we?” She asked the computer.

“On a trajectory for Lagrange-4 approximately two thousand kilometers out.” The computer did not try and make up for it’s obstinance.

“Why are you going to Lagrange-4 I was trying to get to The Lowell.” She challenged the stupid machine.

“Hey Maddison, how are you feeling in there?” Tanner Nazca’s voice came over the speakers.

“Looks like I lost my breakfast, soiled myself and then rolled in mud. Oh and I have an incredible headache.” She answered bluntly.

“Yeah, sorry about that. The control room showed that you had a malfunction and were going to collide with the Lowell. I had to override control and force evasive maneuvers. You know how stubborn some pilots can be when it comes to passenger comfort.” He answered.

“Thanks for not making me roll the dice on this safety pod. Nothing appears to be working so I was not optimistic.” Maddison wondered how her boss, the CEO of Off Earth Salvage got involved in a routine shuttle transfer.

“Well I really didn’t want to have repairs to the Lowell put on my tab. You know my cousin, even if they caused the failure he’d try and take me to tribunal over who has to pay.” Tanner answered.

Of course it was about the money, not her. Maddison flushed at what she had been thinking.

“Plus, I can’t have my Operations Director interviewing for jobs without even getting a chance to keep her.” He added.

How did he know she was going there for an interview? How could she tell him why she wanted to leave, or why she wanted to stay?

“I guess I owe you at least a conversation.” She conceded.

“How about after getting back, you clean up and come to my quarters. We can talk over dinner. Looking at these vital signs I’m guessing you’re going to be hungry.” Tanner suggested.

If he was watching the vital signs she would need to keep things under control and not let her heart rate or body temperature increase. Think business.

“Very well. I’ll have the shuttle alert you when I land.” She needed to keep it simple.

“See you later,” Tanner was ready to sign off. “Oh and Maddison, I’m glad you’re okay.”

“Thank you.” She answered sincerely.

It was hard to think that she ever considered leaving Lagrange-4. The cold hard rock suspended in space was her home. Starting with their boss and leader the people made it warmer than even the sun cruisers.

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Filed Under: For Readers, Off Earth, Short Stories Tagged With: Maddison, manufacturing, Tanner, the lowell

5 Keys to writing a memorable series

February 14, 2018 By K. D. McAdams

The last few weeks I’ve been going through the idea and planning parts of writing a successful series. Those are critical to your success, but in thinking about the series I’ve loved there are five keys to a truly memorable series.

Photo by Peter Lewicki on Unsplash

Before you dive in and start adding meat to your outline, take a minute and work on these five areas. These will take your work beyond simply well thought and finished. When you’ve nailed these five keys you’ll have a series that truly engages readers.

  1. Characters – This sounds obvious but bear with me. My first two series had main characters that I put lots of work into. The supporting cast didn’t get nearly as much attention. If you know you are going to be writing a series think through the supporting characters in as much detail as the main character. Really think more about how this team of characters is going to work through the series. Building rich, deep supporting characters gives your readers more than one story to follow along with. In the end you’ve done a good job if some readers are passionate about characters other than the main character.
  2. Conflict – Also obvious, but not really. Of course your story is going to have a main conflict. There is something standing in the way of your protagonist achieving their goal. But there has to be other conflict to make the story real. If all the primary characters get along all the time it will feel contrived. Having conflict between the characters who are working together to achieve a goal creates realism and adds to character depth. Don’t create conflict for the sake of conflict though. Any conflict between your core team should relate to deep character traits and beliefs that these characters hold.
  3. Touch points – This is a layer deeper than setting but relates to the characters environments. In my first two series I did a terrible job of having a touch point for the characters to go back to regularly. Think of this as a physical home base where your characters return to work through new issues and information. It could be a very simple place, but complex enough that your readers will dream about being a fly on the wall there. Not only does a solid touch point give your characters a place to take a break, it allows your readers to catch their breath and think about the events that recently transpired.
  4. Change – Everything must change. Your main character, the world they live in, the antagonist, everything. When you’re writing a series it’s not enough to say the protagonist wants A and in the end they are happy with B. For the Off Earth series my main character was initially focused on earning a life of solitude on Earth. He has a big change coming that involves friendships and interstellar travel. But the world also changes. When the series opens the world is Earth centric. Everyone either lives on Earth or orbits the planet. All the laws, rules and common practices are focused on the planet and everything has that narrow focus. By the end of the series that scope will be blown wide open.
  5. Mystery – It’s good to keep a few things unknown. Even if you are not writing a mystery, you don’t need to dump every fact and detail into the readers lap. Leave some things out of the story so that your reader needs to think and wonder. This doesn’t mean that you should ignore details. If you have situation that works out logically behind the scenes, it’s okay to not craft a way for the protagonist to learn these details. Give the reader enough information to know that someone is working behind the scene’s, but don’t spell it out.

In short, readers are awesome. They are intuitive, creative, and passionate (just like you!).

To create a compelling series you need to feed those reader strengths. When you give your readers and ensemble of rich characters, multiple compelling conflicts, and deep, richly detailed touch points they will stay engaged throughout the series.

———

 

I started work on my new series in October 2017. With my commitment to full time writing I expect to be working on the first three books in this series for 9 months.

Over the coming weeks and months I’ll share with you my thoughts, notes and tips for each step. You can easily follow along by joining my mailing list. In return I’ll send you a copy of my Successful Series Writer Manifesto and a weekly digest of posts.

If you want to see how I’m communicating with readers, hop over to the For Readers section of my site, or sign up for my Sci-Fi mailing list.

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Filed Under: For Writers, Successful Series Writers Tagged With: indie author, memorable series, series writer

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